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李山先生。中國著名書畫家、文學家 |
賞麗燕的畫，常使我想到我在讀詩時的感受：
﹝煙籠寒水月籠沙﹞。
在麗燕的畫中常有這樣的清冽，朦朧，含蓄。
﹝驀然回首，那人卻在，燈火闌珊處﹞。
麗燕的畫中也有這種猶若眾星閃爍，撲朔迷離的境界。
﹝一川煙雨濕翠葉，五月薰風定黃花﹞。
麗燕的作品中有如此清新。
﹝玉容寂寞淚闌干，梨花一枝春帶雨﹞。
在麗燕的許多畫作中，有這樣含淚的花朶。
﹝一枝濃艶露凝香 ﹞。
在麗燕的花卉作中，會聞到這種幽幽的清香。
﹝流水容易把人拋，紅了櫻桃，綠了芭蕉 ﹞。
麗燕的藝術作品是如此動人，但是，夜空的月亮，黎明的星星知道：在麗燕所畫的紅了的櫻桃，綠了的芭蕉，與及許許多多的濃鬱詩情的作品中，她付出了多少歲歲月月，時光流年。
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| 當明尼加。偉納信.。法國資深畫評家. |
“---------在她超卓越的傳統技巧中，包含著感性的內心意境和自我不受約束的直覺表現。同時在她那復雜性的藝術作品中，深深地顯露出中國人的靈魂。--------- ”
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| 黃國強院長。中國雲南大學國際現代設計藝術學院院長 |
〝厚積蕩發〞是中國繪畫所遵循的一條至理，也是中華民族審美的情趣與准則。余麗燕的作品也在追求這種韻味，她的作品設色妍麗，筆致秀美，有不少畫面，氣氛朦朧，蕩漾著難以名狀的意境。那些花朶，那些葉子，那些空間，那些流水都渾然成一體，凝結成濃濃的情趣，在視覺上勾引起豐富的遐想，溢出了有限的畫面空間，向無限的美麗的世界擴展，這是一首首女姓的抒情詩，細膩，優美而熾烈。
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| 陳福善先生。香港己故名畫家 |
筆觸採用最簡的和最少的，可是效果卻是最好的，這只有造詣高深的藝術家才能做到。欣賞余麗燕的作品，是一種愉快的享受。藝術家盡量把本人的情感發揮出來，使作品更具生命力。
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| 海倫。古玲蘭.。美國資深畫評家 |
余氏的作品，以清雅柔和浮凸出印象及半抽象意景。明顯地將水份濕氣有效地呈現在畫面上，表現出破曉時荷花優如合苞待放之聲。
她畫每一朶花瓣的細節，以她個人對佛教學說心靈刻劃到無我的大自然境界。
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| 華圖斯。香港華圖斯國際藝術顧問 |
麗燕的作品成功地在傳統與現代之間創造出一種新風格。她能夠透過輕柔敏銳之觀感，表現個人內心感受之一份溫情。奠定了她別樹一格，突出而又優雅的藝術成就。她的作品同時悠合了東西方藝術的精髓。麗燕的蓮花繪畫得令人喝采，獲得極大的榮譽，她優雅美妙的水彩畫法浮現著蓮花本身的靈性和深意，更反映出佛學超脫之哲理。她所畫的鳶尾花及桵花亦發放著人性的色彩，特別是人類追求寧靜及對生命渴求之意念。透過其穩重奔放之線條，變化萬千之色彩，麗燕的作品創造出一個由優美與寧靜結合而產生的精神意境。
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Li Shan – Chinese famous literary, painter and calligrapher |
Lai-yin’s works always remind me of my feelings when reading poetry:
“ The cold stream shrouded in misty haze. And the sandy bay showered by moonlight”. This kind of crystalline, hazy and reserved beauty is often frond in Lai-yin’s paintings, ”On turning round, I saw her standing in the waning lights”. This kind of star-like, bewildering atmosphere is also to be found in Lai-yin’s paintings.”Drizzles of rain moistened the green leaves, warm breeze of summer made yellow flowers burst into bloom”. Such freshness is also to be found in Lai-yin’s words.“A spring of lovely redness distill dewy fragrance.” In Lai-yin’s paintings of flowers one can smell such fragrance.
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| Luis Chan – Hong Kong famous Artist |
Her strokes are minimal, precise, expressive and moody. It can only be achieved by artists with high capacity and ability in art.
It was a pleasant experience in enjoying Yu Lai Yin’s art. Artist to let her feelings flow freely so as to breathe more life into art.
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| Huang Guo Ghiang - Principal of Yunnam University |
“To store abundantly before expressing yourself” if one of the principles of Chinese painting, which is also the standard for art appreciation in China. Yu Lai Yin also strives for this quality in her work. Apart from the beauty of colour and strokes her work are often shrouded n a mystic, inexplicable atmosphere. Those flowers, those leaves, those space, those water – all blend into one, giving out a lingering taste. They spark one’s imagination, breaking out of the confines of the picture. These are lyrical poems by a female artist refined, beautiful and full of fire.
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| Helen Cullinan - Curator, United States |
Her work covers the full painting ground in impressionistic and semi-abstract surface treatments. There are palpable effects of water moisture and the early damp dawn when lotuses open with a muffled popping sound.
For her the painting of a fragile flower embodies Buddhist beliefs and spiritual meaning. |
| Sandra Walters - Hong Kong Sandra Walters Consultancy |
Lai Yin’s work evolved in a style that hangs gracefully in the balance between the traditional and modern and is softened by an eye sensitive to the warmth of personal expression. There is also a combination of Eastern and Western elements. Yu Lai Yin’s lotuses have been greatly admired and are the most acclaimed of her flowers. Her delicate watercolours reflect the Buddhist philosophy and spiritual significance of the flower/----------Her irises and cherry blossoms are also imbued with human qualities particularly ones of tranquillity and hope. With steady brush strokes and a myriad of hues, Yu Lai Yin creates sensuous and serene compositions with delicacy. |
